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Body contouring A trail, or thread in an s-pattern used to represent body contouring. Star Icon Pressure Point A bullseye target used to represent pressure point. select arrow arrow used in select dropdown menu Sheep 1 Pillow - Shell firm feel firm feel represented by a solid square. Flippable Design Two arrows in rotation to represent repeatability or flippable. Softer Side A cloud icon used to represent soft side. Side sleeper person laying on their side to represent side sleeper Maximum Support A pillar used to represent maximum support. Helix Single line Helix logo 1 Pillow - Shell 1 - Pillow - 1 Insert Back and stomach sleeper person laying on their back/stomach to represent a back or stomach sleeper. flag icon GlacioTex GlacioTex logo with white text 2 - Insert lamb icon Lock Icon Lock icon Outlined icon of a lock. Checkmark White checkmark icon Circle Solid circle icon Close coins icon Firmer Side A diamond icon used to represent firmer side. Because it insists that 'transversality' is the liberating, responsibility-conferring space where we can begin to understand and empathize with other people and other cultures, and because it insistently characterizes Shakespearean performance as 'transversal,' the book amounts to an important and marvelously high-spirited contribution to the turn toward ethics in literary and cultural studies.Allform by Helix Red Allform by Helix single line logo Allform Red Allform single line logo Allform Allform two line logo - blue Allform Allform two line logo award icon Birch by Helix Evergreen Birch by Helix single line logo Birch Single line birch logo without color soft feel soft feel represented by a bumpy square similar to bubble wrap. "In Performing Transversally, Bryan Reynolds and a group of collaborators challenge critical orthodoxy by venturing into 'transversal territory' and into the overlapping realm of 'Shakespace.'. Offering multivocal, processual accounts of how such conversations and negotiations invite links between fields of discourse, Reynolds and co-performers are master jugglers, keeping multiple texts, objects, ideas and ideologies simultaneously in view." - Barbara Hodgdon, University of Michigan "Transferring models of collaborative authorship from theatre and performance to academic discourse, Performing Transversally productively sets out to re-imagine a critical terrain for Shakespeare in which text and critic are in constant movement, where dispersals, expansions, variabilities, metamorphoses, reconfigurations, alternatives, and contradictions rule.
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Reynolds powerfully reaffirms the agency of the subject and offers hope for theoretical intervention as a viable form of political activism conceived quite daringly here as the transcendence of all conceptual, emotional, social, and physical limits." - Richard Burt, author of Unspeakable ShaXXXspeares
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"In Performing Transversally, Reynolds takes his collaborators and us on a dazzling, even mind-altering trip through what Reynolds calls 'Shakespace,' offering us trenchant sociohistorical readings both of Shakespeare's plays and adaptations of them by Dryden, Polanski, Brecht, Césaire, Wilson, Fo, and Taymor. Ransford Professor of English, Columbia University Performing Transversally offers a highly-caffeinated alternative to conventional criticism." - Jean E. Whether exploring the sado-masochistic dynamics of Othello or bringing Shakespeare and Dario Fo into productive dialogue, Reynolds and his collaborators use Shakespeare to explore uncharted emotional and cognitive landscapes. "Performing Transversally is an innovative example of collaborative scholarship aimed at opening the classic Shakespearean text to unexpected interpretive contexts and possibilities.